In the last issue I considered the case of a single-minded good artist, David Mulholland from Middlesbrough, whose memory, in the absence of any official recognition or support, has to be kindled for posterity’s sake by friends and family. By The Jackdaw’s usual standard of eliciting no comment whatsoever, this caused a considerable mailbag from many mentioning other artists who […]
Seven years ago the Courtauld Institute mounted a thrilling exhibition by showing only two works by Manet. Admittedly they were both undoubted masterpieces, the Barmaid at the Folies Bergere of 1883 and The Luncheon from Munich of 1868. It demonstrated that an absorbing experience could be staged with the import of only one picture. We all know what a brilliant, […]
This is the portrait of an intelligent, thoughtful and educated sitter with no less than a degree in art history. It is perfectly adequate for the boardroom of a supermarket but entirely inadequate for a national collection. Kate deserves better. We deserve better too, and so does the future. This commission – Kate’s first official portrait – demanded an artist, […]
“Maybe a man’s name doesn’t matter all that much.” (Orson Welles in F For Fake) As so many gifted painters have discovered to their cost, having an unusual talent is not necessarily a passport to a meteoric career. So many whose abilities deserve to be recognised, or at the very least acknowledged, struggle cruelly in obscurity if not in the […]
Last year it was Poussin in the National Gallery, this year Rothko at the Tate. There will have been other examples of vandalism in between these which galleries hushed up, and it is likely that you wouldn’t have known about the Rothko episode had it not been witnessed and photographed. Museums don’t like admitting to attacks on their collections because […]
Chances are you won’t have heard of David Mulholland (1946-2005), a painter of and from Middlesbrough. Until last year, when a group of friends devoted to the preservation of his memory sent me some of his pictures, neither had I. The work hit me immediately as authentic, born of intimate feeling for its subject. Most affecting were powerful graphite and […]
Having slipped into its tedious annual routine, the Turner Prize is upon us again, at Tate Britain, until January 6th; the winner – £25,000 better off – is announced to a live television audience of well into double figures on December 3rd. Those responsible for organising this banquet of self-congratulation continue to fanfare its importance, but it is in truth […]
This large triptych of almost medieval ambition by Ben Sullivan, depicting the 27 non-academic staff of All Souls College in Oxford each of whom sat for the artist, was exhibited briefly during the autumn in the Ashmolean. It is now in its intended permanent home in the southernmost of Hawksmoor’s twin towers at the college. It has been four years […]
Henry Moore’s Reclining Figure (1952/3) has been removed from outside the civic centre in Castleford in order, it is claimed, to protect it from theft by scrap metal merchants. Erected in 1980 (in the sculptor’s home town no less), it is not known when or where the work will be returned to view – presumably when all the, er, charming, […]
The Jackdaw was given exclusive advance access to a grand project which seems certain to become a place of pilgrimage for intrepid devotees of Land Art. Dixon Smith reports. Already being hailed by the few allowed to see it as the masterpiece of Land Art in the British Isles, In Transit has been one of public art’s best kept secrets. […]
