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in Editorials

Rothko vandalism

Last year it was Poussin in the National Gallery, this year Rothko at the Tate. There will have been other examples of vandalism in between these which galleries hushed up, and it is likely that you wouldn’t have known about the Rothko episode had it not been witnessed and photographed. Museums don’t like admitting to attacks on their collections because […]

in Editorials

How state art robs the people

Chances are you won’t have heard of David Mulholland (1946-2005), a painter of and from Middlesbrough. Until last year, when a group of friends devoted to the preservation of his memory sent me some of his pictures, neither had I. The work hit me immediately as authentic, born of intimate feeling for its subject. Most affecting were powerful graphite and […]

in Editorials

Turner Prize No. 27 … 28 … 29 …

Having slipped into its tedious annual routine, the Turner Prize is upon us again, at Tate Britain, until January 6th; the winner – £25,000 better off – is announced to a live television audience of well into double figures on December 3rd. Those responsible for organising this banquet of self-congratulation continue to fanfare its importance, but it is in truth […]

in Editorials

A modern masterpiece

This large triptych of almost medieval ambition by Ben Sullivan, depicting the 27 non-academic staff of All Souls College in Oxford each of whom sat for the artist, was exhibited briefly during the autumn in the Ashmolean. It is now in its intended permanent home in the southernmost of Hawksmoor’s twin towers at the college. It has been four years […]

in Editorials

The end of Henry Moore in public?

Henry Moore’s Reclining Figure (1952/3) has been removed from outside the civic centre in Castleford in order, it is claimed, to protect it from theft by scrap metal merchants. Erected in 1980 (in the sculptor’s home town no less), it is not known when or where the work will be returned to view – presumably when all the, er, charming, […]

in Comment

Another portrait of the Queen

A portrait of the Queen by Australian artist Ralph Heimans has gone on show at the National Portrait Gallery in Canberra. It shows the monarch at night in Westminster Abbey standing on the spot where she was crowned 60 years ago. She looks like a giant genie has suddenly appeared from the train of a dress and she has succumbed […]

in Comment

BBC arts programming… and the shock of something good

My word what a revelation Robert Hughes’ The Shock of the New has been second time around. It was pretty good when first aired all those lifetimes ago in 1980. The fourth episode, it had Utopia in the title, reviewing the history of trendy architecture in the 20th century, was the best television about art for decades. It was alive […]

in Comment

Hockney’s charitable works

Approached by Bridlington council officials to appear as a town tour guide during a summer charity weekend, David Hockney generously consented and, to the great amusement of the crowd, threw in a hitherto unknown talent for gurning. “He was easily the great attraction of the weekend, like the Pied Piper,” said council leader Bill Cumming. “I had a marvellous time […]

in Essays

The Motya Charioteer

Explanations to date concerning this marvellous figure are inadequate. What precisely is it? Where did it come from? And what date is it? The Motya Charioteer stood for six weeks until the middle of September in the large gallery housing the Parthenon pediments and frieze in the British Museum. It was worth making a special effort to see it more […]

in Essays

1988 … Year zero

… when branding and art formed a marriage of convenience, argues artist John Kelly. 1988 is the seminal year, the year that our concepts of art, money and values changed irredeemably. It was the year I came to London as a 23-year-old artist, having taken an opportunity to play league cricket in London. It was a chance for a young […]