Alexander Adams investigates the status of the canon in art under Post-Modernism and the dangers of undervaluing it The canon of great art has never been the target of greater ire than it is today, but many leftist critics and their traditionalist opponents misunderstand the canon. The truth is unsettling for both groups. This essay seeks to clarify the nature […]

Alexander Adams seeks to explain how identity politics, Feminism and New Criticism underpin the ideology of a generation of curators, and concludes by discussing the probable direction of the Tate under Dr Balshaw An Allegory Once upon a time there was a society which made objects that had meaning and that people enjoyed looking at. The society put these objects […]